Fifteen years of high-end commercial and narrative editorial, I’ve cut commercial campaigns for global brands like Amazon, STIHL, L'Oréal, and Tanqueray. That commercial experience operates alongside my narrative feature work, most recently serving as lead editor on the independent psychological thriller Baggage Claim.
High-end post-production doesn't start when a hard drive arrives in a dark room. I partner directly with directors, DOPs, and production teams to bridge the gap between set and post. By running on-set DIT, checksum-verified data ingestion, and real-time location assemblies while cameras are rolling, I ensure footage is secured and the story works before the crew even strikes the set.
My priority is always a clean, predictable pipeline. I manage the complete offline cut and deliver pristine, grade-ready XML or AAF handoffs to external color and sound houses with zero technical friction.
Based in Cape Town (SAST / GMT+2).
Available for local productions, on-set deployments, and remote international commissions.
