COMMERCIAL & NARRATIVE EDITORIAL

Fifteen years of structural editorial for global brands and independent features. The commercial work spans clients like Amazon, Tanqueray, L'Oréal, STIHL, Captain Morgan, Deichmann, and Hi-Tec, each with precise delivery requirements and no tolerance for technical drift.

The edit runs on an XML-anchored timeline, keeping the cut stable through revision cycles without the need for manual rebuilds. From an agile creative editorial environment, the project moves into DaVinci Resolve for finishing. The XML round-trip is the professional standard for maintaining precision and velocity.

PROFESSIONAL EDITORIAL & FINISHING

FINISHING & TECHNICAL DELIVERY

DaVinci Resolve is the powerhouse of the pipeline. It handles conform, color, and mastering end-to-end within a single professional environment. Color is a component of the finishing process, graded inside the same session as the conform to maintain continuity between the creative edit and the final image. Technical output is tailored to broadcast, streaming, and theatrical specifications.

REMOTE INFRASTRUCTURE

Operating from Cape Town, South Africa, the pipeline is built for high-velocity global collaboration. Projects are received, edited, and finished to theatrical specifications without requiring physical presence on location.

When a production requires additional scale, the pipeline leverages a trusted network of post-production specialists, ensuring the technical standard remains intact throughout the entire chain of custody.

ON-SET EDITORIAL & WORKFLOW

On-set assembly is prioritized for speed and immediate review. By utilizing a high-velocity workflow, rough sequences and string-outs are built in real-time during principal photography. This agility allows for immediate narrative feedback and secures the technical integrity of the footage on location, ensuring a clean transition to the DaVinci Resolve finishing environment. The priority is a fast, efficient assembly that saves production time and budget without compromising the final output.